Profile: Sudarman Angir

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A Visual Vocabulary of Experimental Journey

Story by Anton Adianto | Photo by Bagus Tri Laksono & Sudarman Angir

If photography is an immediate reaction, drawing is a meditation, as Henri Cartier Bresson once observed. The sentiment is shared by Sudarman Angir, one of Indonesia’s best sketchers. Propelled by a love of architecture and heritage sites, the Surabaya-based artist has crafted works that stem from the meditation that he does on location to develop his experimental visual art.

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This article was published in the Indonesia Design magazine (77thEdition) in 2016.

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